ARTISTS TO WATCH IN 2019!

As an author of Let The Bass Get You I am always looking for new talents and willing to help them by playing their tracks in the Finnish radio. This year I found so many awesome producers from all over the world and I wanted to introduce few of them to my readers as well. This is the first “Artists to Watch In 2019” list by Let The Bass Get You which proudly presents 18 artists, most of whom play bass music but also performers from Hardcore and Techno scene, who you should keep an eye at in the near future. The first trio is presented below with short introductions, but don’t you worry, you’ll be hearing from the rest of the list during 2019!

Artists to watch in 2019 by L.T.B.G.Y ( in a random order)
BOSSFIGHT
MOORE KISMET
LIL TEXAS
NASKO
BADRAPPER
MASTADON
SAM LAMAR
NAZAAR
PIERCE
ANSWERD
KAMI
UZZI
TONTARIO
PSYLLA
SIGNAL
WILDLYF
TIIGERS
TOPI
NiQW


BOSSFIGHT!
Bossfight is the one artist who has clearly earned number 1 spot in my personal opinion! This Swedish guy is one of the most talented dubstep producers ATM! He is signed to Monstercat record label and he’s releasing his first EP early in 2019. He released bunch of tracks in 2018 and got support from Excision, Slander, Dyro and more. He also did massive remix from Panda Eyes – Isolated track!


MOORE KISMET!
I’d like to mention artist called Moore Kismet. He is only 14 years old but already making big moves, his Hekler – 404 remix is a massive banger and the year 2019 is looking very promising with huge collabs coming with Dr.Ozi, Nazaar, A Boy & A Girl.

https://soundcloud.com/moorekismetbass/404-reboot-2


LIL TEXAS!
“LIL TEXAS made his hardcore debut with his original single “I AM EXCITED,” introducing his uptempo hardcore sound to his audience of ravers and tastemakers from all walks of dance music. Met with immense success, LIL TEXAS’ singles have been supported by Virtual Self, Kill The Noise, Pendulum, and many more. He’s inspired artists who’ve never delved into hardcore before to join the TEXCORE movement, engaging their audiences in the most extreme form of dance music.” Presskit


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